Emraan Hashmi is an actor
who is known more for – well, nothing new there – his kissing and
intimate scenes on screen than his acting. In several films by now,
Emraan – the Kisser has ended up overshadowing Emraan – the Actor. But
Hashmi believes that with women, it’s always better to maintain a
diplomatic stand. The actor will soon be seen in Vishesh Films’ next –
‘Raaz 3’ – and admits being very hopeful of its prospects. Ananya Bhattacharya of Zeenews.com spoke to Emraan Hashmi about the film, and a lot more. Excerpts from the interview:
Your liaison with
Bollywood began at the age of 18 – as an assistant director on the sets
of ‘Raaz’. You’ve been there in the second part, and you’re here now in
‘Raaz 3’. How does it feel to be so closely associated with the
franchise?
I’ve seen the franchise take birth. That was kind
of my birth as an actor also. I love the genre, I love horror. So being
part of it in the second one was a dream come true. And then after that,
Vikram Bhatt came back with the franchise. I guess he’s put in all the
elements to make it a commercial potboiler and not just a horror film.
There’s the element of thrill in it, there’s romance, great music,
everything that makes it exciting. Also the fact that the film is in 3D,
which could be a huge draw. People, I’m sure, have never seen this kind
of 3D in Bollywood before. Vikram has really done a fantastic job with
‘Raaz 3’.
You shot to fame with an erotic thriller – ‘Murder’. Do you feel comfortable with the genre?
I’ve
always felt comfortable. I’ve never really had any inhibition playing
any character in an erotic thriller. Erotic thrillers predominantly are
my domain – I’ve started off with that and pursued it, and it’s great
that I’ve also somewhere benefited a lot from it. But I’ll always try to
work with other genres also, try my hand at that and try to make that
successful. But I feel I’ll eventually always have to come back to this
since the audience associates me with that. So I’d say it’s a bit of
everything.
Was it easy or difficult coming back to the brand called ‘Raaz’?
There
were expectations, I’m sure huge ones. It’s a fantastic film to be
associated with, but there was no pressure as such. At the back of your
mind, you know that there’s certain connectivity with the audience.
Perceivably, probably it’s a niche, but this is more of a mainstream
film. So as far as the script is concerned and the way the film was
being shot, the screenplay and all – it’s very commercial.
Roping
you in a film sort of guarantees it’s musical success. Since the time
you’ve been around, almost all your films have been musical
blockbusters. Do you too contribute anything to the music of your films?
No,
no. I don’t have anything to do with the music. I don’t choose the
music directors or the tracks. All of it has just happened. And
eventually, thankfully, all of that has worked so far.
You are
one of the most popular actors in the industry today. And with
‘Shanghai’, you’ve succeeded in breaking away from the mould people
generally associate you with. The character of Joginder Parmar was poles
apart from what people have seen you doing. How challenging was it?
It
was very challenging. It wasn’t anything even remotely close to what
I’ve usually been doing over the years. I didn’t understand that
character; it’s not a part of the world I’ve grown up in. Playing a
character like the one in ‘Raaz 3’ is probably closer because it’s an
urban character. But ‘Shanghai’ was very tough and I had to actually
deconstruct a lot of things.
In ‘Raaz 3’, you have intimate
scenes with both the leading ladies (Bipasha Basu and Esha Gupta). Who,
according to you, was better?
Both, actually. (winks and laughs) with women, it’s always better to maintain a diplomatic stand.
What sort of expectations do you have from this film?
Lot
of expectations. I hope this film is a huge, huge success. It will be
one. It has already received a great response with the opening show.
Theatres have been pre-booked across cities and towns, tickets are sold
out for Friday, Saturday and Sunday. Audiences have more faith in the
film, and that’s great.
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